Let’s Talk: Scalped by Jason Aaron and R.M. Guera

Published as a monthly ongoing series from 2007 until 2012, Scalped is a gritty neo-noir crime comic set in the fictional reservation Prairie Rose. Dark, dire and ruthless, Scalped is a legendary title for a reason, and one of the shining gems of Vertigo’s catalogue.

Art by R.M Guera

The Gravel in Your Guts

As always, some context. Jason Aaron is an American comics writer, best known for his legendary run on Thor with Marvel Comics. He broke into the industry in the early 2000s with the war drama The Other Side, illustrated by Cameron Stewart. Scalped is illustrated by Serbian artist R.M Guera, mainly known for European comics such as Elmer Jones. Scalped was initially pitched as a revival of the DC hero Scalphunter, before becoming a unique project with a new premise, inspired by Leonard Peltier, a native activist arrested for the murder of two FBI agents in a shoot-out on a reservation in 1975.

Scalped is through and through a noir story. Characters will have a chance to escape the cycles they are in, chose the better option for themselves, but won’t. They’re trapped in place by their pain and their anger. It’s an incredibly dark story. Inspired by prestige crime dramas such as The Wire and Deadwood, it allows itself to lose focus on the main plot and focus on characters. That isn’t to say the plotting isn’t tight and focused – every single action has significant consequences, which build upon each other as the story goes on, giving the reader the impression the series just get’s better as it goes on. Which it does.

Art by R.M Guera

The large majority of Scalped is drawn by R.M Guera. His artwork is fantastic, and suits the series perfectly. It’s definitely more stylised and exaggerated than the average Vertigo series, but that works in tandem with the very realistic story to create a sense of almost hyper-reality. His shadowy, dark artwork suits this noir story perfectly, and I wish he got more work because he deserves it. There’s a number of fill-in artists as well, including most prominnetly Davide Furno, as well as Francesco Francaville and Jason Latour. The series has a consistent style even when there’s guest artists, so it never feels jarring.

The characters are the real stand-out of Scalped. Dashiell Bad Horse is a bad-ass motherfucker, plain and simple. He’s also incredibly sympathetic and compelling, and only gets more so as the series goes on. You root for him inspite of his flaws. The same can be said of Lincoln Red Crow, ostensibly the main ‘villain’ of the series. However, he’s arguably just as sympathtic as Bad Horse, and I found him a truly compelling character, one of the best villains I’ve ever seen in a comic. Other fantastic characters include the psychopathic , 1/16th Kickapoo Diesel, or Dino Poor Bear, whose path to hell is paved with good intentions. Carol Ellroy, initially introduced as Dash’s love interest, is a weak character at first but gradually shifts out of that role becoming a fantastic character on her own. The conclusion to her story made me cry, so there’s that.

While it’s quite a lengthy series, it’s well worth the investment. The world is richly detailed, and each character is multi-faceted and three-dimensional. The space the series gets allows it to focus on smaller, individual stories in addition to the main plot, which means that it’ll break your heart over and over again by the time the series is done. The ending pays off everything set up beautifully, and the whole comic never sags or becomes anything less than brilliant.

Art by R.M Guera

All images and intellectual property belong to the Vertigo imprint of DC Comics, and their parent company, Warner Brothers.

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